Screenprint

'Only Banksy' was the title of a 24-lot offering at Forum Auctions (30/24/15% buyer’s premium inc VAT) in London.

Works by Mr Brainwash (b.1966) are becoming an increasingly common sight at auction.

A group of eight Andy Warhol (1928-87) prints came to auction at Van Ham (32% buyer’s premium including VAT) in Cologne at the end of last year, including a few of his most famous subjects from documented editions of the 1960-80s.

The term ‘pop art’ normally conjures up images of colourful and ‘hip’ artworks from the 1950s-60s.

Multiple editions by the pop art pioneer mean many works are available for under £1000

Two Banksy prints donated to charity set high prices for their respective individual editions at a Bristol auction.

Famous for the sort of graffiti that morphs into street art and critical acclaim, Banksy is now bringing in big money in the form of screenprints

The live webcast auction of Urban and Contemporary art held by Tate Ward (25% buyer’s premium) on March 24 proved well timed, coming just a day after Christie’s sold Banksy’s 'Game Changer' for £14.4m.

Bonhams (27.5/25/20/14.5% buyer’s premium) has been offering works by Banksy for some time now in a number of different sale types including Contemporary art auctions and specialist print offerings.

Among the Banksy works sold outside London recently was a screenprint of Trolleys that made £40,000 at Tennants’ (20% buyer’s premium) of Leyburn in North Yorkshire.

This image of children swinging along a watch tower was part of Banksy’s ‘Walled Off’ project that relates to the West Bank barrier between Israel and the Palestinian Authority.

A number of Banksy’s earlier prints from the early 2000s feature the subject of a rat.

A print by street artist Banksy (b.1974) called Morons, depicting an art auction featuring the former Christie’s boss Charles Hindlip, has been sold by a member of his family.

Interest from overseas bidders appears to be lifting the market for Banksy (b.1974) prints to a higher level.

Welsh artist Clive Hicks-Jenkins’ recent series of screen-prints are a fitting subject for a January exhibition.