Woodcut

During his travels to Europe, Winfield Robbins (1841-1910) amassed some 150,000 prints that he later left to his hometown of Arlington, Massachusetts.

Maurits Cornelis Escher (1898-1972) arrived on the Amalfi Coast in 1923 and ultimately created more than 100 works there based on the landscape.

The late 19th century Japanese artist Keika Hasegawa remains something of an enigma.

The late 19th century Japanese artist Keika Hasegawa remains something of an enigma.

Music legend’s art collecting was little known but prolific

Discovered in a cupboard in a house in the Cévennes wrapped in newspaper dated 1937 were two albums containing a series of Japanese prints by Utagawa Hiroshige (1797-1858), one of the most sought-after Japanese woodblock print artists.

I’ve always understood that Gwen Raverat (1885-1957) produced woodcuts, not wood engravings, and The Knight of the Burning Pestle, 1909, (ATG No 2587) is certainly a woodcut

Sebastian Izzard LLC celebrates 25 years with an exhibition of 19th century Japanese paintings and prints during AWNY from March 17-24 on East 76th Street.

Shown here is a highlight of The Art of Japan’s Asia Week New York exhibition, Fine Japanese Prints: 300 Years of Japanese Prints, Ukiyo-e -Modern.

As its Asia Week New York offering, Egenolf Gallery presents Prints and Drawings by Utagawa Kuniyoshi (1798-1861), Master of Graphic Storytelling.

A woodcut by German Expressionist Max Pechstein (1881-1955) brought overseas interest to Kinghams (23% buyer’s premium) back on March 3-5.

Prices for Tirzah Garwood (1908-51) continue to rise.

This Katsushika Hokusai woodblock print from the series Hyakunin isshu uba ga enoki (The Hundred Poems as Told by the Nurse) is titled Poem by Fujiwara No Toshiyuki Ason.

Although catalogued as ‘a 19th century Japanese woodblock print’, the signature to a scene of a boat with Mount Fuji beyond gave a clue to its creator.

As time goes by, an almost imperceptible process seems to take place in the art market where certain artists who were once considered avant garde begin to feel like established names.

Swann Galleries is holding a 476-lot sale of Old Master to Modern prints spanning the 16th to 20th centuries in New York on November 12.

Delay due to lockdown turns out to be a blessing in disguise in terms of consignments

Edvard Munch returned to the subject 'Woman in Moonlight – The Voice' on several occasions.

First auction to be held in Freeman’s new Philadelphia site topped by Degas and Van Gogh