Mallams

Views of processions, pageants and parades tend to attract special interest at auction, such as this view of an Indian procession bid to £6800 in Gloucestershire.

The first printed copy of Bede’s Historia Ecclesiastica was published in Strasbourg as early as c.1475 with subsequent versions printed in Vienna (1513), Strasbourg again (1500), Haguenau (1506), Paris (1544) and Antwerp (1550).

Underlining the market move from antique furniture to 20th century craftsman design, a 1982-83 chest of drawers set a record for a work by Alan Peters at the Modern British Living sale at Mallams (22.5% buyer’s premium) in Cheltenham.

A late Victorian diamond cluster necklet with an estimated total weight of 14.4cts sold in its original fitted case for £10,500 at Richard Winterton (20% buyer’s premium), Lichfield.

Peter Dingley (1923-2018), who died last year aged 95, is a name synonymous with the best of modern British craft. David Whiting, author of 'Modern British Potters & Their Studios' (2009), described him as “a remarkable member of the small band of post-war pioneering gallerists who supported British ceramics”.

Three modestly valued works selling at regional sales at under £1000, including a Ronald Ossory Dunlop late work.

A selection of silver lots coming up in the salerooms.

Mid-20th century animal study contrasts with traditional ornithological work in same auction.

Italian sculptors were the hottest property as garden statuary flourished at summer sales in the Home Counties.

Three modestly valued works selling at regional sales at £1500 or under, including a watercolour by a designer better known for Arts & Crafts jewellery.

The fitted interior of this William & Mary casket, below, was later but its fine brass-bound marquetry exterior with hidden lock mechanism made it the most eye-catching lot at Mallams’ (22.5% buyer’s premium) auction in Cheltenham on June 6.

Mallams (20% buyer’s premium) offered 12 impeccably provenanced pieces by Peter Waals (1870-1937) at Oxford on May 23.

Desmond Morris on his many lives as a zoologist, painter, author and collector

London’s horse dealers, auctioneers and cab-yards are among the most memorable subjects painted by Camden Town Group founder Robert Bevan (1865-1925) during the early 20th century.

At the turn of the 20th century, work by Italian émigré Andrew Grima (1921-2007) or the London jeweller Kutchinsky was on the periphery of the collecting world – still languishing in the bottom of jewellery boxes or, worse, the melting pot.