Oil, Acrylic paintings & Mixed Media

Appearing at Frank R. Marshall’s (15% buyer’s premium) sale at Knutsford, Cheshire on January 11 and selling at £720, was this 10 x 7in (25 x 18cm) oil-on-canvas, right, by Augustus Edwin Mulready (fl1863-1880 d.1886). Framed, mounted and indistinctly signed, it showed a characteristic subject for the artist, and was estimated at £200-300.

What makes a painting totally uncommercial one year and a sure-fire seller the next?Clearly, if there was a general principal of financial success to be learned in the art market there would be rather more dealers appearing in the media’s annual rich lists than there are now.

AS recently as a decade ago, the Pennsylvanian Impressionists or New Hope School – perhaps the most recognisable group of painters to emerge from the Pennsylvania Academy of the Fine Arts (PAFA) – remained a relatively untapped seam for ‘serious’ auctioneers of the Mid-Atlantic States.

Tom Pearse, Tom Pearse, lend me your grey mare, All along, down along, out along lee, For I want to go to Widecombe Fair, With Bill Brewer, Jan Stewer, Peter Gurney, Peter Davy, Dan Whiddon, Harry Hawke, Old Uncle Tom Cobley and all.The traditional song Widecombe Fair was well known in Devon around the middle of the 19th century, as was the name Thomas Cobley Gent, of Buttsford, Colebrooke.

ESTABLISHING a new landmark for any work of art sold at auction outside London, a family portrait by Francis Hayman (1708-1776) took £540,000 at John Nicholson’s Fernhurst salerooms last week.

JACK Vettriano (b.1951) is not an artist normally associated with the North East of England, but one of the lesser known facts about Britain’s Most Popular Artist is that one of his first one-man exhibitions, if not the first, was held at the Corrymella Scott Gallery in Jesmond, an upmarket suburb of Newcastle upon Tyne, in 1992.

THE chronicles of Captain Cook and his perils on the high seas of the South Pacific, possess a mixture of action, adventure, discovery, science and romance that is enough to capture the most hardened imagination.

SUSPICION that the market for Irish pictures, at least on this side of the Irish Sea, might be in a softer state than it was three or four years ago, were dramatically dispelled at the Guildford rooms of Clarke Gammon Weller (15% buyer’s premium) on September 7 when a rather late, but completely fresh-to-market, canvas by Paul Henry (1876-1958) was offered.

COMMISSIONED in 1908 by the Thomas D. Murphy Calendar Co., Mists of Yellowstone, one of many pictures of what is now the Yellowstone National Park region painted by Thomas Moran, nearly doubled the previous saleroom best for the artist on July 29. It made $4.4m (£2.42m) in the grand ballroom of the Silver Legacy Resort & Casino in Reno, Nevada – where Coeur d’Alene Art hold an annual auction, the big event of the year for well-heeled lovers of Western art.

AN Americana sale held by Eldreds of East Dennis on August 5-6 included a number of works by Ralph Eugene Cahoon Jr. (1910-82), a Cape Cod artist for whom mermaids and sailors, lighthouses and balloons were key themes, and the picture top right, a late addition to the catalogue, proved one of the Massachusetts sale’s greater successes, at $40,000 (£22,000).

NOW that few dealers can any longer afford routinely to buy pictures for stock, auctioneers, particularly provincial auctioneers, have become increasingly reliant on private individuals to take take up the slack at their art sales.

THE recently published, enlarged and revised second edition of Peter McEwan’s indispensable Dictionary of Scottish Art and Architecture describes the Perthshire-born landscape painter Joseph Henderson (1832-1908) as “one of Scotland’s half-forgotten painters who deserves better recognition than he has hitherto received”.

REGULAR readers of Scott Reyburn’s Art Market will be only too aware that many equestrian paintings by Sir Alfred James Munnings (1878-1959) have in recent years shown significant increases in value. As he reported as recently as Antiques Trade Gazette No 1648, July 17, Munnings’ oil sketch Newmarket Cheveley was the only work to dramatically exceed its estimate in Sotheby’s Important British Picture sale on July 1.

SHIP portraits are, as one might expect, popular with bidders at Eldred’s East Dennis auction galleries on Cape Cod.

THE controversy over whether fox hunting should be banned may rumble on, but, presumably, even the most committed hunt saboteur could not take exception to this intriguing Victorian fantasy painting.

PAINTINGS offered at Lyon & Turnbull’s (17.5% buyer's premium) July 21 Jordantone dispersal were mostly comfortable furnishing pictures of some quality including this uncharacteristic Joseph Farquharson oil, right, entitled Fisherwoman on a Deserted Sandy Beach. Very different from the artist’s trademark mix of sheep, heather and swirling snow, the 22in x 3ft (55x 91cm) image of a solitary figure walking barefoot on the shimmering sand went to a private buyer at £17,000.

ON view at the Belgrave Gallery, St Ives, these two works by the late Sir Terry Frost represent a gap of some 60 years.

THESE two half-length images of women, right, could hardly be more different in date or technique, but their prices proved as uncannily similar as their poses when they came under the hammer at recent fine art auctions.

A LARGE scale oil by Kathleen Hale of Orlando Reclining Amongst Flowers failed to sell against a £10,000-15,000 estimate at Sotheby’s on July 8, but the autograph draft manuscript of Orlando (The Marmalade Cat) becomes a Doctor of 1944, right, each page with pencil and coloured crayon drawings (some with added wash or gouache, a few unfinished) did sell at £5000 to a London gallery.

BASED in Stoke-on-Trent, auctioneers Louis Taylor (buyer’s premium 12.5 per cent) are better known for their ceramics than their pictures but their quarterly Fine sale held from June 14-16 was led by this Dorothea Sharp oil on canvas, right, Children with a Dog on a Summer’s Day.