Duke's

THE heroic exploits of the first Duke of Wellington in defeating Napoleon at Waterloo must be among the best recorded events in British military history.

THE WEST Country is not the antiques wilderness it is sometimes painted but a relatively sparse population means that auctioneers cannot simply rely on local solicitors to provide the deceased estates. Networking the landed gentry at cocktail parties or hunt meetings is part of the social round for any flourishing local auctioneer and such contacts regularly pay dividends for Duke’s rooms in Dorchester.

PRE 1921 the Poole pottery firm, one of the most innovative of the 20th century British potteries, was known as Carter & Co. Headed up by Jesse Carter, the firm produced very few domestic wares focusing instead on tiles and architectural and garden ceramics.

Limoges enamel has its English equivalent in the rustic little boxes produced by artisans in the South Staffordshire towns of Bilston and Wolverhampton during the late 18th century.

The season has not quite begun, but this late 18th century cricketing badge enjoyed a long innings at Duke’s Dorchester salerooms on April 11-12.

There was no charitable quarter given to rival bidders when this plaster bust of General Charles Booth took centre stage at Duke’s (15 per cent buyer’s premium) dispersal of the Timothy Rich collection of Staffordshire figures in Dorchester on January 24.

From the day it was delivered to Lord Yarborough in 1826, this Benjamin Vulliamy travelling clock had remained in the same family until it was sold at Hy Duke’s sale in Dorchester on September 20.

HY. Duke & Son of Dorchester have been brought in at very short notice to sell major pieces by John Makepeace on the premises at Parnham House in Dorset on May 26.

UK: TURNOVER figures posted by provincial auctioneers for the year January to December 1999 revealed a turnaround in the positions of the top two firms.

UK: HAVING ascribed it to the Italian School of the 13th/14th century in their auction advertisement, Hy. Duke now believe that this 73/4 x 9in (20 x 23cm) oil on panel, right, is in fact the pinnacle – missing for 150 years – of the Madonna panel by Nardo Di Cione (1343-1366).