Fine Art

A simple image titled 'Pony' by British artist Patrick Caulfield is the highest-estimated lot ever to be offered at south London saleroom Roseberys.

The setting for this near-monochrome self-portrait, below, by Walter Sickert (1860-1942) is the Campo SS Giovanni e Paolo in Venice and shows the equestrian statue of Bartolomeo Colleoni and the Scuola Grande di San Marco.

This Old Master painting, above, of The Adoration of the Magi in the manner of Italian painter Vincenzo Carducci (c.1576-1638) led a recent Dorset sale.

'Elements of Foliate Heads' will be instantly familiar to fans of John Piper (1903-92), despite the fact that the picture has not been on the market for more than half a century.

Selling above estimate at Jacobs & Hunt (22% buyer’s premium) in Liss, Hampshire, was a life-size bronze by Sydney Harpley (1927-92) titled Umbrella Girl, below.

Unseen on the market since 1946, a view of Sloane Square (below) by Robert Buhler (1916-89) raced to £5000 at Ewbank’s (22.5% buyer’s premium).

A selection of three works from UK regional salerooms sold for £1000 or under.

A ship painting by the artist regarded as the first great Trinidadian painter, Michel-Jean Cazabon (1813-88), surfaced for sale at Cumbrian auction house PFK earlier this month.

Pre-Raphaelite artist shunned and persecuted in his time is now a popular auction choice.

This small scene by Scottish genre painter Thomas Faed (1826-1900) shown below sold for a quadruple-estimate £8500 at Brightwells (22% buyer’s premium).

Spurred on by Middle Eastern demand, Orientalist art came out top at Christie’s 19th century European & Orientalist Art auction in London.

Works by the Pre-Raphaelites and their followers continued to outperform the rest of the Victorian art market during the latest round of sales in London. Topping the auctions at both Sotheby’s and Christie’s were two ‘jeune fille fatale’ creations by Pre-Raphaelite latecomer, John William Waterhouse (1849-1917).

London dealer showcases powerful works of an artist fascinated by the human condition

In his later years, Welsh painter Wilf Roberts spent time going on drives, his wife Sue at the wheel, out to the Anglesey countryside. He would set off with pencils or watercolours to sketch landscapes while she waited for him in the car, reading.

A cartoon by Dame Laura Knight (1877-1970) offers a rare and light-hearted look at her married life.