Watercolours

A TOUCH of spring arrived in Dorchester on April 10-11 where amongst a number of five-figure prices at Duke’s two-day sale was this tiny watercolour of a branch of cherry blossom by the prolific Victorian theorist, critic and artist John Ruskin (1819-1900). Dated 1857, it is displayed here a fraction less than its actual size.

Dukes have negotiated the sale to the nation of two major Pre-Raphaelite paintings. Music by Sir Edward Coley Burne-Jones and Hamlet and Ophelia by Dante Gabriel Rossetti were found in the Oxfordshire home of the late Jean Preston that also yielded two panels from the San Marco altarpiece by Fra Angelico sold by the Dorchester auctioneers last year for £1.7m.

The Nativity and Annunciation to the Shepherds scenes illustrated here are part of a superb group of 51 miniatures dating from the last years of the 12th century.

SMALL in size but large in shock value, this portrait miniature stunned the Gorringes’ saleroom when it sold at £90,000 plus 17.5 per cent buyer’s premium on December 6.

Art dealer Andrew Sim has sold a watercolour by Richard Dadd (1817-1886) to the Metropolitan Museum in New York. It is the first work by the enigmatic Victorian artist to enter the museum’s vast art collection.

Cheshire auctioneer Sir Patrick Cheyne will sell a remarkable cache of work by the Sheffield School watercolourist George Hamilton Constantine (1878-1967) on September 7.

THE market for early English portrait miniatures received a sizeable fillip in London last week. The auction record was broken twice within the space of 24 hours with the sale of two iconic images of major figures in British history and this was backed up by a crop of other strong prices for top flight examples from the 16th and 17th centuries.

“A MOMENT of European importance” is how architects acknowledge Tyringham Hall in Buckinghamshire. It is one of the greatest country houses designed by Sir John Soane (1753-1837), the leading architect of his generation.

Four Beatrix Potter watercolour Christmas cards, recently discovered in a Wiltshire attic, will be sold by Highworth, Swindon auctioneers Kidson-Trigg on September 20. The cards have been consigned by descendants of the original recipients, Elizabeth (1888-1977) and Elinor (1886-1979) Lupton.

Works by Eric Ravilious (1903-1942) are only very occasionally seen on the market. So when this evocative watercolour Salt Marsh was offered at Sworders (15% buyer’s premium) sale in Stansted Mountfitchet on April 11 it attracted at least seven interested parties.

A cache of William Blake watercolours, unearthed in a Glasgow bookshop five years ago, are to be sold in New York after attempts to keep them together in the United Kingdom have failed.

Dreweatt Neate Fine Art have arranged a major private treaty sale to the National Library of Australia, on behalf of a prominent UK family, of a historically important folio of watercolours.

Long before J.R.R. Tolkien settled down to write The Hobbit, he had acquired a postcard reproduction of the ink, watercolour and gouache painting Der Berggeist (The Mountain Spirit).

The rainbow plate seen above right comes from an 1814 first issue* of David Cox’s Treatise on landscape Painting and Effect in Watercolours, an oblong folio work that incorporates a hand-coloured aquatint frontispiece and 31 plates (15 coloured, 15 in sepia) as well as 24 soft ground etchings.

In November 1933, the Queen Mother (then Duchess of York) wrote to Charles Edmund Brock (1870-1938), a noted illustrator and society painter, commissioning a family portrait.

INCLUDED in Potburys’ (12.5% buyer’s premium) sale in Sidmouth, Devon on February 8 and 9 was a 75-lot collection of pictures by the Orientalist painter Charles Robertson (1844-91) consigned from his granddaughter’s estate. They appear to have been the works that remained in the family after the artist’s Godalming studio was sold off following his death from a heart attack aged 47.

Executed in the 1890s, when Beatrix Potter was working for the greetings card firm Hildesheimer, this little ink and watercolour drawing was last seen at auction in London about ten year ago, but on December 1 it came back to Christie’s South Kensington and sold for £25,000.

Christie’s King Street (19.5/12% buyer’s premium) were pulling out all the stops for their first full week of the month.

“Business has been good, but to achieve this I have had to work extremely hard.” This is how Chris Beetles summed up 2004 and, having already taken over £500,000 in sales from his renowned annual exhibition of British illustrators, he is ending the year on a bullish note.

NEXT year’s Watercolour and Drawings Fair will move to a new venue, the Royal Academy rooms at 6 Burlington Gardens, London W1, where it will run from February 3 to 6 with an opening evening preview on February 2.