Watercolours

RUSSIAN interest in their own heritage propelled the prices of two Imperial Russian subjects in the Albion collection, sold at Bonhams' (19.5/10% buyer's premium) New Bond Street rooms on April 22, to very high levels.

STUDIES of children tend to be one of the most popular subjects for miniature collectors, and there was plenty of choice in the Albion collection sold at Bonhams' (19.5/10% buyer's premium) New Bond Street rooms on April 22, enough indeed for the room to demonstrate some distinct preference.

INTENSE competition between three bidders on the telephone and two in the room pushed the watercolours of Edward Bawden (1903-1989) into new financial territory when this signed and dated, 1956 composition, right, House at Ironbridge, fetched £10,500 at the Sudbury, Suffolk rooms of Olivers (12.5% buyer’s premium) on April 1.

JOHN Varley Senior (1778-1842) was one of the most prolific watercolourists of his generation, exhibiting no fewer than 700 works at the Old Water Colour Society between 1805 and 1842.

BONHAMS notched up a clutch of auction records and an impressive £1.28m total for the Albion Collection of portrait miniatures in Bond Street on April 22.

OF the 830 lots offered in Fieldings (12.5% buyer's premium) February 28 sale, a painting provided the highest price but a chair the biggest surprise.

With a dozen works by the artist currently on show at Tate Britain’s Pre-Raphaelite exhibition, Sussex auctioneers John Nicholson (15% buyer’s premium) could hardly have picked a better time to offer a watercolour by George Price Boyce (1826-97) than at their March 17 sale in Fernhurst.

WITH a style, as one writer has put it, “sweetly intensified to a point where the world is reduced to a world of gossamer”, Annie French (1872-1965) was a Glasgow School artist who took the Art Nouveau idiom of Beardsley and Burne-Jones to new decorative extremes.

WITH a name like the Old Picture Palace, the former cinema in Matlock that is the newly acquired saleroom of the Derby auctioneers Bamfords (15% buyer’s premium) should be the sort of venue where the more traditional end of the art market should feel at home.

FIFTEEN or so years ago works by the likes of Helen Allingham (1848-1926) and the Stannards of Bedfordshire had the sweet smell of success all over them. However, in more recent times the general consensus is that watercolours of this genre, which I loosely describe as “roses round the cottage door”, have slipped from favour.

Illustrated in colour on the catalogue cover of Clevedon Salerooms’ March 4 sale was a watercolour described as being by Richard Parkes Bonington (1801-1828).

IN addition to technical excellence, decorative appeal and early date, sentiment is an important player in the sampler market.

WITH collectors’ taste in Modern British art shifting in recent years from pre-war to post-war, the once all-conquering Newlyn School has not generated as many headline-stealing results as it did in the late 1980s.

PORTRAIT MINIATURES: At just under £92,000 for 287 lots, Bonhams Bond Street’s (19.5/10% buyer’s premium) first portrait miniature sale of the year on February 3 was essentially a middle-ranking offering.

What Bonhams are billing as “one of the world’s greatest portrait miniature collections” will go on sale in their Bond Street rooms on April 22. The 175 English and Continental miniatures, which have been on loan to the Scottish National Portrait Gallery for the past three years, date from the 16th to the 19th century and are estimated to fetch in excess of £1m.

Scottish, Greek and Australian subjects gave a welcome international feel to the main highlights among the pictures offered on the third day of Gorringes’ (15% buyer’s premium) January 27-29 sale in Lewes.

While Sotheby’s incorporated their best objects of vertu into their silver sale on November 20, Christie’s offered theirs in tandem with portrait miniatures in a 264-lot sale the following month on December 9. The vertu side of the sale performed particularly well, with hardly any failures, most of the 55 unsold lots coming from the miniatures.

WITHDRAWN from sale at the eleventh hour, a recently-discovered portfolio of late 18th century topographical watercolours of Canada have been sold by private treaty to Library and Archives Canada and the Musée national des beaux-arts du Québec.

Exceptional subjects still have the capacity to fetch exceptional prices, as the Bury St Edmunds auctioneers Lacy Scott & Knight (10% buyer’s premium) discovered when this unsigned and unattributed 19th century watercolour came under the hammer on September 20 with an estimate of £250-400.

The strong collecting base for miniatures has cushioned this market from the wider economic vagaries that have affected other more trade-dependent fields such as furniture and silver. Bonhams Bond Street (19.5/10% buyer’s premium) specialist Emma Rutherford reckoned around 80 per cent of entries sold privately in their 193-lot routine miniature and silhouettes sale back on July 1. “Our buyers tend to be retired and tend to have their money readily accessible,” she said.