Museum acquisitions

Museums often acquire works through donations but, in spite of funding constraints, they also make purchases to expand their collections, either bidding at auctions, negotiating private treaty sales or, in the UK, via the Acceptance in Lieu scheme.


Reynolds portrait of Omai faces export ban

06 January 2003

THE Tate Gallery has launched a campaign to raise £12.5m to acquire Sir Joshua Reynolds’ celebrated portrait of Omai, the South Sea Islander who took London Society by storm in the 18th century.

Bligh relics acquired by National Maritime Museum, but it is not all plain sailing and there were other…

30 October 2002

Pick of the Bligh relics sold at Christies King Street last month was the cup that he used to hold his meagre rations of bread and water, a coconut shell that bears his incised initials, the date April 1789 and, inscribed in ink around the rim, the words “The Cup I eat my miserable allowance of”.

BM textiles crisis

27 August 2002

THE acquisition of a unique collection of Afghan textiles has highlighted the cash crisis at the British Museum. Despite spending £34,000 on the collection, including a £26,000 grant from the National Arts Collection Fund, the BM’s ethnographic textiles collection has nowhere to display it.

Hole in one for Scottish gallery

24 July 2002

JUST as the world’s top golfers were teeing off for The Open at Muirfield last week, Scotland was celebrating another hole in one. Grants totalling more than £2m from the Heritage Lottery Fund, the National Arts Collection Fund, the Royal and Ancient Golf Club, St Andrews and private benefactors meant that the Scottish National Portrait Gallery could acquire the nation’s most important golfing painting, Charles Lees’ (1800-1880) oil on canvas, The Golfers (1847).

Dublin unveils unknown hoard of works by Joyce

12 June 2002

THE National Library of Ireland has acquired a sprawling collection of manuscripts by James Joyce, which remained hidden for nearly 60 years after being concealed from the Nazis.They include a total of some 700 pages in six notebooks, 16 drafts from Ulysses and typescripts and proofs of Finnegans Wake.

Ashmolean wins Rubens oil sketch

14 May 2002

THE Ashmolean Museum in Oxford has just acquired an important oil sketch by Sir Peter Paul Rubens thanks to grants from the National Arts Collection Fund and the Resource V&A Purchase Fund.

£1.7m reject returns

24 April 2002

ONE of the most important oils by Irish artist Louis le Brocquy (b.1916) is to return to Ireland after spending nearly 50 years in Italy.

Grants rescue this rare amber cabinet for nation

03 April 2002

THE Heritage Lottery Fund have announced a grant of £404,500 to help the Walker Museum in Liverpool acquire an exquisite Weld Blundell Amber Cabinet, which was due for export.

Last Supper study to go to Fitzwilliam Museum thanks to art fund grants

18 December 2001

THE Fitzwilliam Museum in Cambridge is to be the new home for Federico Barocci’s £1.3m drawing Study for The Institution of the Eucharist.

Manchester gallery secures Light of the World after all

28 November 2001

Manchester City Art Gallery, the underbidder at auction for the lantern which was the original model for Holman Hunt’s The Light of the World, have secured the piece after all. The gallery underbid the lantern, pictured right, when it was sold to a private collector for £46,000 (plus 15% buyer’s premium) on November 1 at Bonhams Knightsbridge.

For the nation by hook and crook

30 October 2001

PICTURED right is just one of a number of rare and important artefacts whose sale to the nation has just been negotiated by Christie’s.The 14th century Norwegian carved ivory crozier head, which has been sold in lieu of inheritance tax and will go to the V&A, is an extremely rare example of late medieval Scandinavian carved ivory.

Major silver collection to go to Boston

13 July 2001

THE Museum of Fine Arts, Boston, Massachusetts has acquired one of the world’s most important collections of English Silver, that of Alan and Simone Hartman.

St Sebastian goes to the V&A

11 July 2001

UK: A TEMPORARY export ban on an important reliquary from the Wernher Collection has allowed the V&A to acquire it with backing from the Lottery and the National Arts Collection Fund.

Cincinnati Museum project turns up unknown miniatures by Hilliard, Cosway and Cooper

19 March 2001

A MAJOR cataloguing project at the Museum of Cincinnati in Ohio has authenticated up to 15 very important and hitherto unrecorded portrait miniatures by the likes of Nicholas Hilliard.

Saatchi gift for museums

11 September 2000

UK: THE Saatchi Gallery is to distribute 39 works of Contemporary Art by British artists among seven regional galleries and museums.

Gavels hammer down millions in London bid fest

10 July 2000

THE second week of London’s prestige midsummer sales saw the Modern given way to the traditional with a flurry of exceptional prices for Old Master paintings and drawings and Renaissance works of art.

Rare medieval painting to be reunited with altarpiece

24 April 2000

UK: LEADING London art dealer Simon Dickinson has announced the sale to the Brooklyn Museum of Art of the 14th century Florentine gold ground painting of Christ in Majesty which he bought for £66,000 at Dorchester rooms of Hy. Duke & Son on March 9

Botticelli scoop for Scottish gallery

30 November 1999

UK: A RARE catch indeed, the most important painting of its period in a British private collection, Botticelli’s Virgin Adoring the Christ Child, c.1490-1500, pictured right, has been acquired by the National Gallery of Scotland from the 10th Earl of Wemyss and March, who was about to sell it to America.

Hermitage collections for Somerset House

08 November 1999

UK: A PERMANENT exhibition space for objects from the Hermitage Museum in St Petersburg is to be part of the continuing development of London’s Somerset House as an arts complex.

From blockhouse to army museum

08 November 1999

UK: THE unknown British soldier who embroidered the crude depiction of his lonely blockhouse on the South African veld almost a century ago, could hardly have expected his work to end up on the hallowed walls of the National Army Museum in Chelsea, having provoked intense competition from international bidders at Bosley’s auction of militaria in Marlow on October 12.

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