Fine Art

UK: ALTHOUGH not the highest grossing section of the four-day International sale at Sotheby's South, Billingshurst, the works of art section held on January 30 still saw a number of strong prices for sculpture and bronzes with the top seller this alabaster bust, right entitled Poésie.

UK: IN 1905, the Leicester Galleries, regular show place for Arthur Rackham R.W.S. (1867-1939) introduced Rackham to J.M. Barrie and as they say, the rest is history.

UK: Last week London saw Sotheby’s and Christie’s first ever round of major Impressionist, Modern and Contemporary sales in February.

US: THE January Old Master week in New York offered the opportunity to buy some exceptional drawings, but none was more exceptional than this panoramic view of Dordrecht, above, the work of Aelbert Cuyp (1620-1691) offered by Christie’s (17.5/10 per cent buyer’s premium) at their January 24 Old Master Drawings sale.

UK: THE current market for anything by L.S. Lowry (1887-1976) was highlighted on January 6 at Cranbrook Auction Rooms (10 per cent buyer’s premium) by this rather uncharacteristic signed crayon drawing, right, The Fat Man.

FRANCE: Venezia Fodaco dei Turghi, Carlo Naya’s moonlit view of the Grand Canal (c.1870), headed the Baron-Ribeyre photo sale on December 19. The albumen print, 161/2 x 21in (41 x 53cm), was dubbed in perfect condition and raced to a treble-estimate Fr55,000 (£5200).

Treasures To Hold: Irish and English Miniatures 1650-1850 from the National Gallery of Ireland Collection by Dr Paul Caffrey, published by the National Gallery of Ireland, Dublin. tel: 01 661 5133. email: artgall@eircom.net ISBN 090316275X £19.99.

UK: THIS looks the life! Relaxed in elegant company, high above the world and its cares on a sunlit terrace with parasols and palms.

GERMANY: WITH an attendance of 70,000, there was certainly plenty of interest in the work at the 34th Art Cologne, one of the world’s leading fairs for modern and contemporary work which showcased 276 dealers from 21 countries in Cologne Exhibition Centre between November 5 and 12.

UK: AGNEW’S are set to open a new gallery for Contemporary art in Old Bond Street in January.

NEW YORK: There was a flurry of activity at the Phillips New York (buyer’s premium 15/10%) auction of American Art last week as Benjamin West’s renowned painting of The Death of General Wolfe came up for sale.

A HOUSE of Lords ruling in a copyright case tightening the rules on what constitutes an infringement could have a significant impact on the Contemporary art scene.

A pencil drawing by Bronzino (1503-72) earned Fr10.6m (£960,000) at Piasa on November 20, the highest ever price for an old master drawing in Paris, and a world record for a Bronzino drawing.

FRANCE: POLICE today appealed for help in tracing up to 100 bronzes and other antiques which were stolen in a £1m burglary at a Paris Gallery in June 1998.

PICASSO’S Blue Period canvas Femme aux bras croisés set a world record for the artist at auction on November 8.

FRANCE: A Paris court has granted a temporary injunction placing a Cézanne painting currently on show at a city museum under legal supervision pending an inquiry into its ownership.

The most startling result produced by the Allan Cuthbertson sale, Bonhams, London 3-4 October was an eight times estimate bid of £34,000 from Andrew Edmonds for a five volume set of The Caricature Magazine, or Mirror of Mirth.

LONDON: Highlight of the German and Austrian series from the Marvin & Janet Fishman Collection was Egon Schiele’s oil on canvas Portrait of the Art Dealer Guido Arnot, 4ft 7in x 3ft 7in (1.40 x 1.09m), signed and dated 1918 which sold at Sotheby’s in London for £6.5m (plus premium), more than twice its top estimate.

The market for 20th century German art proved dramatically selective last week when the much-promoted Marvin & Janet Fishman Collection came under the hammer at Sotheby’s on the evening of October 18.

UK: THE Thames-side meadows at Christopher Gibbs’ Manor House in Oxfordshire contained a number of pieces of classical statuary with important provenances, but none proved so valuable as this unheralded stone model of a recumbent cow.